I think I will stop when I feel like it’s time to stop, and I’m not enjoying it anymore.Necessary cookies are absolutely essential for the website to function properly. “You cannot do this job if you don’t like it,” Nouni said. While the tour means a lot of travel days, Nouni said he does not plan to leave tennis soon. “I’ve been in the business for a while, so now I have my friends all around the world,” Nouni said.
(A trip to Central Park and a Broadway show were on his to-do list while in New York.) The travel has also introduced him to people in many different cities. “The first week is work, work, work, work,” Nouni said.īut traveling around the world for the tour has given him the chance to see sights and explore. On the tour, Nouni usually calls two matches a day during the first week of a tournament, and he has other duties such as evaluating other umpires. “You don’t think about it every day, but it’s somewhere, it’s part of you,” he said. Nouni said tough calls can be difficult to let go, but he uses them as learning experiences. Nouni has also been the chair umpire for five French Open women’s finals, in 2007, 2009, 2013, 20. Since then, Nouni has been an umpire for dozens of Grand Slams and other tournaments around the world, including in the 2018 Wimbledon women’s singles final, where he was the chair umpire. Nouni’s performance during that tournament led to his selection as a line judge for the 1992 French Open. “For me, being there at the French Open, even only for the summer, was fantastic.” For Nouni, who had lived with his family in public housing, staying at the home of the French Open was a remarkable experience.
The tournament was special for Nouni because he and the other teenage officials slept at the Roland Garros complex, and they were allowed to play on the clay courts when official matches weren’t taking place. But when Nouni was 16, he was invited to call matches at the national championship in Paris. “When you’re 12 years old and you have to deal with adults, and they have to listen to you, it’s kind of funny,” Nouni said.įor a while, umpiring matches in local tournaments was just a summer job. If the crowd is unhappy with your calls, they’re going to get mad.” If they’re not happy with your calls, they’re going to get mad. “There’s always this pressure of input from the players.
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“If you don’t know how to sell the call, it won’t help,” he said. That’s where a voice like Nouni’s is an effective tool in what he believes is one of the main keys to officiating - communication. Several feet above the court in a lone chair, an umpire keeps score and enforces the rules of the game, but the job also extends to quieting boisterous crowds and regulating a player’s temperament on the court. “If they want to keep talking about my voice, I have no problem anymore with that,” he said. These days, as a gold badge umpire, the highest level for tennis officials, Nouni feels he has proved himself in the business, and comments about his voice don’t bother him as much. “I always wanted to be good and wanted people to speak more about being a good official.” “We always say that a good official is someone that we don’t talk about,” Nouni said.
Such praise of his timbre used to worry Nouni - that he would be known more for his voice than his work, he said.
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